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	<title>Comments on: Marlon Brando and the Promise of Danger</title>
	<atom:link href="http://unitedstage.com/2010/01/03/marlon-brando-and-the-promise-of-danger/feed/" rel="self" type="application/rss+xml" />
	<link>http://unitedstage.com/2010/01/03/marlon-brando-and-the-promise-of-danger/</link>
	<description>Poetics in Live Performance</description>
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		<title>By: Dr. Howard Stein and the Habit of Intelligent Choice &#124; Boles University Blog</title>
		<link>http://unitedstage.com/2010/01/03/marlon-brando-and-the-promise-of-danger/#comment-1205</link>
		<dc:creator><![CDATA[Dr. Howard Stein and the Habit of Intelligent Choice &#124; Boles University Blog]]></dc:creator>
		<pubDate>Fri, 18 Mar 2011 14:51:01 +0000</pubDate>
		<guid isPermaLink="false">http://ustage.wordpress.com/2010/01/03/marlon-brando-and-the-promise-of-danger/#comment-1205</guid>
		<description><![CDATA[[...] Marlon Brando made theatrical history by his portrayal of Stanley Kowalski in A STREETCAR NAMED DESIRE.  His costume of a white tee shirt reflecting and illuminating his character, that of a lower-class, honest, genuine, no nonsense adversary to Blanche, whose background and personality have resulted in a young woman who could not bear the crudities of reality (a naked lightbulb without a shade to give it taste!) has become the trite costume for the Stanleys who have subsequently played that character.  However, almost twenty years ago now, Alec Baldwin, much to my surprise, was wearing a suit jacket.  I couldn&#8217;t believe it, until I realized that Stanley Kowalski discovers Blanche&#8217;s past because he is a traveling salesman and knows the people and the gossip in all those towns.  A traveling salesman is accustomed to wearing a suit.  It&#8217;s in the script. [...]]]></description>
		<content:encoded><![CDATA[<p>[...] Marlon Brando made theatrical history by his portrayal of Stanley Kowalski in A STREETCAR NAMED DESIRE.  His costume of a white tee shirt reflecting and illuminating his character, that of a lower-class, honest, genuine, no nonsense adversary to Blanche, whose background and personality have resulted in a young woman who could not bear the crudities of reality (a naked lightbulb without a shade to give it taste!) has become the trite costume for the Stanleys who have subsequently played that character.  However, almost twenty years ago now, Alec Baldwin, much to my surprise, was wearing a suit jacket.  I couldn&#8217;t believe it, until I realized that Stanley Kowalski discovers Blanche&#8217;s past because he is a traveling salesman and knows the people and the gossip in all those towns.  A traveling salesman is accustomed to wearing a suit.  It&#8217;s in the script. [...]</p>
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		<title>By: Medium: How to Ruin the Morality a Television Franchise &#124; United Stage</title>
		<link>http://unitedstage.com/2010/01/03/marlon-brando-and-the-promise-of-danger/#comment-1049</link>
		<dc:creator><![CDATA[Medium: How to Ruin the Morality a Television Franchise &#124; United Stage]]></dc:creator>
		<pubDate>Sat, 22 Jan 2011 17:42:41 +0000</pubDate>
		<guid isPermaLink="false">http://ustage.wordpress.com/2010/01/03/marlon-brando-and-the-promise-of-danger/#comment-1049</guid>
		<description><![CDATA[[...] was the star of Road.  He was electrifying and dangerous and you always wanted to see more of [...]]]></description>
		<content:encoded><![CDATA[<p>[...] was the star of Road.  He was electrifying and dangerous and you always wanted to see more of [...]</p>
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		<title>By: Interactive Actors Acting Acted &#124; United Stage</title>
		<link>http://unitedstage.com/2010/01/03/marlon-brando-and-the-promise-of-danger/#comment-997</link>
		<dc:creator><![CDATA[Interactive Actors Acting Acted &#124; United Stage]]></dc:creator>
		<pubDate>Mon, 03 Jan 2011 16:35:48 +0000</pubDate>
		<guid isPermaLink="false">http://ustage.wordpress.com/2010/01/03/marlon-brando-and-the-promise-of-danger/#comment-997</guid>
		<description><![CDATA[[...] The rest of the &#8220;acting&#8221; demonstrated on the NYTimes website is, again, all gloss and no substance.  There are intermittent blips of character that have no depth and absolutely zero danger. [...]]]></description>
		<content:encoded><![CDATA[<p>[...] The rest of the &#8220;acting&#8221; demonstrated on the NYTimes website is, again, all gloss and no substance.  There are intermittent blips of character that have no depth and absolutely zero danger. [...]</p>
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		<title>By: Sean Costello: The Wailing Willow &#124; Boles Blues</title>
		<link>http://unitedstage.com/2010/01/03/marlon-brando-and-the-promise-of-danger/#comment-838</link>
		<dc:creator><![CDATA[Sean Costello: The Wailing Willow &#124; Boles Blues]]></dc:creator>
		<pubDate>Sat, 09 Oct 2010 19:37:04 +0000</pubDate>
		<guid isPermaLink="false">http://ustage.wordpress.com/2010/01/03/marlon-brando-and-the-promise-of-danger/#comment-838</guid>
		<description><![CDATA[[...] classic P90 pickups like a child begging for approval while his life constantly teetered between danger and [...]]]></description>
		<content:encoded><![CDATA[<p>[...] classic P90 pickups like a child begging for approval while his life constantly teetered between danger and [...]</p>
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		<title>By: David W. Boles</title>
		<link>http://unitedstage.com/2010/01/03/marlon-brando-and-the-promise-of-danger/#comment-430</link>
		<dc:creator><![CDATA[David W. Boles]]></dc:creator>
		<pubDate>Wed, 06 Jan 2010 15:22:03 +0000</pubDate>
		<guid isPermaLink="false">http://ustage.wordpress.com/2010/01/03/marlon-brando-and-the-promise-of-danger/#comment-430</guid>
		<description><![CDATA[Acting on the stage is much harder and more demanding than the movies.  You have 8 live performances a week on Broadway and the whole production is set up to make a weekly profit only on that 8th show all the other shows go to pay the weekly nut.  If you&#039;re sick -- and if you&#039;re the star of the show -- people can get their money back if you don&#039;t perform.  The live theatre is a big risk for everyone.  In the movies, you can take breaks and do re-shoots and wait until you get the perfect take.
]]></description>
		<content:encoded><![CDATA[<p>Acting on the stage is much harder and more demanding than the movies.  You have 8 live performances a week on Broadway and the whole production is set up to make a weekly profit only on that 8th show all the other shows go to pay the weekly nut.  If you&#8217;re sick &#8212; and if you&#8217;re the star of the show &#8212; people can get their money back if you don&#8217;t perform.  The live theatre is a big risk for everyone.  In the movies, you can take breaks and do re-shoots and wait until you get the perfect take.</p>
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		<title>By: kathakali.chatterjee</title>
		<link>http://unitedstage.com/2010/01/03/marlon-brando-and-the-promise-of-danger/#comment-429</link>
		<dc:creator><![CDATA[kathakali.chatterjee]]></dc:creator>
		<pubDate>Wed, 06 Jan 2010 14:52:11 +0000</pubDate>
		<guid isPermaLink="false">http://ustage.wordpress.com/2010/01/03/marlon-brando-and-the-promise-of-danger/#comment-429</guid>
		<description><![CDATA[I have only seen Marlon Brando in movies but I think I know what you are talking about David, Indian theatre also witnessed lot of powerful losses like this. But fortunately there are movie-actors who still enjoy working in theatre…may be the desire is too powerful to overcome.
I also think acting on stage and in screen demand two different style, fulfilling the two at the same time might be tough…
]]></description>
		<content:encoded><![CDATA[<p>I have only seen Marlon Brando in movies but I think I know what you are talking about David, Indian theatre also witnessed lot of powerful losses like this. But fortunately there are movie-actors who still enjoy working in theatre…may be the desire is too powerful to overcome.<br />
I also think acting on stage and in screen demand two different style, fulfilling the two at the same time might be tough…</p>
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		<title>By: David W. Boles</title>
		<link>http://unitedstage.com/2010/01/03/marlon-brando-and-the-promise-of-danger/#comment-428</link>
		<dc:creator><![CDATA[David W. Boles]]></dc:creator>
		<pubDate>Sun, 03 Jan 2010 18:59:37 +0000</pubDate>
		<guid isPermaLink="false">http://ustage.wordpress.com/2010/01/03/marlon-brando-and-the-promise-of-danger/#comment-428</guid>
		<description><![CDATA[A lot of the Golden Age theatre fans in NYC cannot stop talking about Brando once asked.  He was that alarming and special.
]]></description>
		<content:encoded><![CDATA[<p>A lot of the Golden Age theatre fans in NYC cannot stop talking about Brando once asked.  He was that alarming and special.</p>
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		<title>By: Gordon Davidescu</title>
		<link>http://unitedstage.com/2010/01/03/marlon-brando-and-the-promise-of-danger/#comment-427</link>
		<dc:creator><![CDATA[Gordon Davidescu]]></dc:creator>
		<pubDate>Sun, 03 Jan 2010 18:55:01 +0000</pubDate>
		<guid isPermaLink="false">http://ustage.wordpress.com/2010/01/03/marlon-brando-and-the-promise-of-danger/#comment-427</guid>
		<description><![CDATA[I only saw the Hollywood version of A Streetcar Named Desire made in 1951 with said Marlon Brando. I wonder how different the two versions were. (I wonder if anyone who has seen both has gone on to write about the experience... online.)
]]></description>
		<content:encoded><![CDATA[<p>I only saw the Hollywood version of A Streetcar Named Desire made in 1951 with said Marlon Brando. I wonder how different the two versions were. (I wonder if anyone who has seen both has gone on to write about the experience&#8230; online.)</p>
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