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	<title>Comments on: How to Write Stiff and Really Fake Dialogue</title>
	<atom:link href="http://unitedstage.com/2010/01/23/how-to-write-stiff-and-really-fake-dialogue/feed/" rel="self" type="application/rss+xml" />
	<link>http://unitedstage.com/2010/01/23/how-to-write-stiff-and-really-fake-dialogue/</link>
	<description>Poetics in Live Performance</description>
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		<title>By: Giving Up On Gossip Girl &#124; United Stage</title>
		<link>http://unitedstage.com/2010/01/23/how-to-write-stiff-and-really-fake-dialogue/#comment-821</link>
		<dc:creator><![CDATA[Giving Up On Gossip Girl &#124; United Stage]]></dc:creator>
		<pubDate>Thu, 30 Sep 2010 15:37:38 +0000</pubDate>
		<guid isPermaLink="false">http://ustage.wordpress.com/2010/01/23/how-to-write-stiff-and-really-fake-dialogue/#comment-821</guid>
		<description><![CDATA[[...] season opener, my wife and I have decided that we are just going to give up and stop spending 45 (or so) minutes every week watching Gossip Girl. For the first year or two we were fans but a line has to be drawn &#8212; [...]]]></description>
		<content:encoded><![CDATA[<p>[...] season opener, my wife and I have decided that we are just going to give up and stop spending 45 (or so) minutes every week watching Gossip Girl. For the first year or two we were fans but a line has to be drawn &#8212; [...]</p>
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		<title>By: Dialogue &#124; The Journal of an Intern and Aspiring Novelist</title>
		<link>http://unitedstage.com/2010/01/23/how-to-write-stiff-and-really-fake-dialogue/#comment-701</link>
		<dc:creator><![CDATA[Dialogue &#124; The Journal of an Intern and Aspiring Novelist]]></dc:creator>
		<pubDate>Fri, 16 Jul 2010 02:19:25 +0000</pubDate>
		<guid isPermaLink="false">http://ustage.wordpress.com/2010/01/23/how-to-write-stiff-and-really-fake-dialogue/#comment-701</guid>
		<description><![CDATA[[...] dumping, and some shows have horribly stiff dialogue (for an example of both of these, check out this article), but in general script writers have good dialogue [...]]]></description>
		<content:encoded><![CDATA[<p>[...] dumping, and some shows have horribly stiff dialogue (for an example of both of these, check out this article), but in general script writers have good dialogue [...]</p>
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		<title>By: David W. Boles</title>
		<link>http://unitedstage.com/2010/01/23/how-to-write-stiff-and-really-fake-dialogue/#comment-575</link>
		<dc:creator><![CDATA[David W. Boles]]></dc:creator>
		<pubDate>Sun, 24 Jan 2010 15:55:20 +0000</pubDate>
		<guid isPermaLink="false">http://ustage.wordpress.com/2010/01/23/how-to-write-stiff-and-really-fake-dialogue/#comment-575</guid>
		<description><![CDATA[I think the interruptions are done to get dry information across to the audience in what they think is a &quot;dramatic way&quot; -- and to try to add some energy to what amounts to a lecture.  I agree so much of modern episodic television today is overly formulaic and predictable.
]]></description>
		<content:encoded><![CDATA[<p>I think the interruptions are done to get dry information across to the audience in what they think is a &#8220;dramatic way&#8221; &#8212; and to try to add some energy to what amounts to a lecture.  I agree so much of modern episodic television today is overly formulaic and predictable.</p>
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		<title>By: Kathakali Chatterjee</title>
		<link>http://unitedstage.com/2010/01/23/how-to-write-stiff-and-really-fake-dialogue/#comment-574</link>
		<dc:creator><![CDATA[Kathakali Chatterjee]]></dc:creator>
		<pubDate>Sun, 24 Jan 2010 15:18:42 +0000</pubDate>
		<guid isPermaLink="false">http://ustage.wordpress.com/2010/01/23/how-to-write-stiff-and-really-fake-dialogue/#comment-574</guid>
		<description><![CDATA[I have never thought about &quot;dialogue&quot; this way before David, till I red this.
Do you think this continuous series of interruption was needed to provide equal importance/ screen space to both the characters?
No wonder at times I find the TV serials unnecessary dragging...
]]></description>
		<content:encoded><![CDATA[<p>I have never thought about &#8220;dialogue&#8221; this way before David, till I red this.<br />
Do you think this continuous series of interruption was needed to provide equal importance/ screen space to both the characters?<br />
No wonder at times I find the TV serials unnecessary dragging&#8230;</p>
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		<title>By: David W. Boles</title>
		<link>http://unitedstage.com/2010/01/23/how-to-write-stiff-and-really-fake-dialogue/#comment-573</link>
		<dc:creator><![CDATA[David W. Boles]]></dc:creator>
		<pubDate>Sun, 24 Jan 2010 14:05:24 +0000</pubDate>
		<guid isPermaLink="false">http://ustage.wordpress.com/2010/01/23/how-to-write-stiff-and-really-fake-dialogue/#comment-573</guid>
		<description><![CDATA[Love those clips, Gordon!  The lyric writing was funny and superb and rhyming!
]]></description>
		<content:encoded><![CDATA[<p>Love those clips, Gordon!  The lyric writing was funny and superb and rhyming!</p>
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		<title>By: Gordon Davidescu</title>
		<link>http://unitedstage.com/2010/01/23/how-to-write-stiff-and-really-fake-dialogue/#comment-572</link>
		<dc:creator><![CDATA[Gordon Davidescu]]></dc:creator>
		<pubDate>Sun, 24 Jan 2010 00:09:39 +0000</pubDate>
		<guid isPermaLink="false">http://ustage.wordpress.com/2010/01/23/how-to-write-stiff-and-really-fake-dialogue/#comment-572</guid>
		<description><![CDATA[this is one of my favourite clips from scrubs :
&lt;a href=&quot;http://www.youtube.com/watch?v=Ci-LX9fd064&quot; rel=&quot;nofollow&quot;&gt;http://www.youtube.com/watch?v=Ci-LX9fd064&lt;/a&gt;
Then of course there&#039;s the song where they sing about the importance of poo:
&lt;a href=&quot;http://www.youtube.com/watch?v=0S8Z4xLSvu8&quot; rel=&quot;nofollow&quot;&gt;http://www.youtube.com/watch?v=0S8Z4xLSvu8&lt;/a&gt;
]]></description>
		<content:encoded><![CDATA[<p>this is one of my favourite clips from scrubs :<br />
<a href="http://www.youtube.com/watch?v=Ci-LX9fd064" rel="nofollow">http://www.youtube.com/watch?v=Ci-LX9fd064</a><br />
Then of course there&#8217;s the song where they sing about the importance of poo:<br />
<a href="http://www.youtube.com/watch?v=0S8Z4xLSvu8" rel="nofollow">http://www.youtube.com/watch?v=0S8Z4xLSvu8</a></p>
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		<title>By: David W. Boles</title>
		<link>http://unitedstage.com/2010/01/23/how-to-write-stiff-and-really-fake-dialogue/#comment-571</link>
		<dc:creator><![CDATA[David W. Boles]]></dc:creator>
		<pubDate>Sat, 23 Jan 2010 23:41:35 +0000</pubDate>
		<guid isPermaLink="false">http://ustage.wordpress.com/2010/01/23/how-to-write-stiff-and-really-fake-dialogue/#comment-571</guid>
		<description><![CDATA[How do they communicate the technical ideas on Scrubs, Gordon?  I thought M*A*S*H was always superb in their operating room medical lingo -- perfectly natural, pure, and understandable.  Sometimes the audiences doesn&#039;t need to know all the slang as long as the characters respond knowingly.  We can figure it out.
]]></description>
		<content:encoded><![CDATA[<p>How do they communicate the technical ideas on Scrubs, Gordon?  I thought M*A*S*H was always superb in their operating room medical lingo &#8212; perfectly natural, pure, and understandable.  Sometimes the audiences doesn&#8217;t need to know all the slang as long as the characters respond knowingly.  We can figure it out.</p>
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		<title>By: Gordon Davidescu</title>
		<link>http://unitedstage.com/2010/01/23/how-to-write-stiff-and-really-fake-dialogue/#comment-570</link>
		<dc:creator><![CDATA[Gordon Davidescu]]></dc:creator>
		<pubDate>Sat, 23 Jan 2010 23:31:07 +0000</pubDate>
		<guid isPermaLink="false">http://ustage.wordpress.com/2010/01/23/how-to-write-stiff-and-really-fake-dialogue/#comment-570</guid>
		<description><![CDATA[I&#039;ve seen episodes of Scrubs communicate tricky medical stuff better than House ever does. I suppose a little humour goes a long way! :)
]]></description>
		<content:encoded><![CDATA[<p>I&#8217;ve seen episodes of Scrubs communicate tricky medical stuff better than House ever does. I suppose a little humour goes a long way! <img src='http://s0.wp.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
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