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	<title>Comments on: Amplification Made the Live Theatre the Radio</title>
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	<link>http://unitedstage.com/2010/03/01/amplification-made-the-live-theatre-the-radio/</link>
	<description>Poetics in Live Performance</description>
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		<title>By: David W. Boles</title>
		<link>http://unitedstage.com/2010/03/01/amplification-made-the-live-theatre-the-radio/#comment-635</link>
		<dc:creator>David W. Boles</dc:creator>
		<pubDate>Fri, 21 May 2010 17:25:37 +0000</pubDate>
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		<description>Hi Len!

Welcome to United Stage!

Can you tell us more about the noise level?  Was it music or voices or something else that seemed out of whack to you?

I agree that natural sound is much more agreeable to the ear and it is more aesthetically pleasing to the whole body experience.  

Theaters are constructed to carry natural, non-amplified sound, and to treat a concert hall or a live stage like an open auditorium is just nasty.</description>
		<content:encoded><![CDATA[<p>Hi Len!</p>
<p>Welcome to United Stage!</p>
<p>Can you tell us more about the noise level?  Was it music or voices or something else that seemed out of whack to you?</p>
<p>I agree that natural sound is much more agreeable to the ear and it is more aesthetically pleasing to the whole body experience.  </p>
<p>Theaters are constructed to carry natural, non-amplified sound, and to treat a concert hall or a live stage like an open auditorium is just nasty.</p>
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		<title>By: modemjunkie</title>
		<link>http://unitedstage.com/2010/03/01/amplification-made-the-live-theatre-the-radio/#comment-634</link>
		<dc:creator>modemjunkie</dc:creator>
		<pubDate>Fri, 21 May 2010 17:11:55 +0000</pubDate>
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		<description>Last night I saw a wonderful performance of Billy Elliot, but the noise level made it a painful experience.  I am getting to the point where I prefer opera to any other form of performance for that reason alone.</description>
		<content:encoded><![CDATA[<p>Last night I saw a wonderful performance of Billy Elliot, but the noise level made it a painful experience.  I am getting to the point where I prefer opera to any other form of performance for that reason alone.</p>
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		<title>By: David W. Boles</title>
		<link>http://unitedstage.com/2010/03/01/amplification-made-the-live-theatre-the-radio/#comment-615</link>
		<dc:creator>David W. Boles</dc:creator>
		<pubDate>Mon, 01 Mar 2010 16:39:56 +0000</pubDate>
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		<description>When I started in the theatre at as a child, you were always instructed to &quot;project to the back row&quot; and that sort of stylized performance and effort is what made the live theatre special.  Today&#039;s Broadway theatres are the original Broadway theatres -- so the only thing that&#039;s changed is the ability of the performer and how we now choose to have sound provided to us instead of working to hear it ourselves.
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		<content:encoded><![CDATA[<p>When I started in the theatre at as a child, you were always instructed to &#8220;project to the back row&#8221; and that sort of stylized performance and effort is what made the live theatre special.  Today&#8217;s Broadway theatres are the original Broadway theatres &#8212; so the only thing that&#8217;s changed is the ability of the performer and how we now choose to have sound provided to us instead of working to hear it ourselves.</p>
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		<title>By: Gordon Davidescu</title>
		<link>http://unitedstage.com/2010/03/01/amplification-made-the-live-theatre-the-radio/#comment-614</link>
		<dc:creator>Gordon Davidescu</dc:creator>
		<pubDate>Mon, 01 Mar 2010 16:28:35 +0000</pubDate>
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		<description>We certainly aren&#039;t interested in radio plays, David. As productions get bigger and bigger, the effect gets worse. Perhaps it would behoove us to stick to small productions with small budgets?
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		<content:encoded><![CDATA[<p>We certainly aren&#8217;t interested in radio plays, David. As productions get bigger and bigger, the effect gets worse. Perhaps it would behoove us to stick to small productions with small budgets?</p>
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