Playwrights must toss down the crutch that is the modern day director, and walk on their own.
After all, it's their name on the Playbill, and if the production isn't successful, it's always the Playwright's fault no matter how good the script happens to be.
In order to take full credit (and blame!) for a play, Playwrights must also form the live production and revise their scripts accordingly to reflect the realities of the stage.
This effort can only make for better Playwrights, stronger plays, and give the life of the play back where it belongs: in the Playwright's cradled and calloused hands.
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